At the moment, our world is undergoing radical changes.
My research and ideas are probably derived from the feeling of fear, the fear that can be felt and experienced with the permanent changes of the world (this process of permanent change, this ‘impermanence' is a Chinese concept, quite clearly explained by the French philosopher Francois Jullien), and also sometimes a form of complicity between man and animals.I work in sculpture and painting mainly with mixed materials,
I use in particular Papier - Mâché from current media, newspapers, magazines.For me, Papier-mâché is quite a symbolic and emblematic material of this situation. Paper-pulp and sheets of paper treated so as to resemble wood, plaster and stone mean ‘change’, newspapers, magazines, paper for everyday use combine, get mixed and start a new life ... it is the means, the support of a possible rebirth, they form up signs in which we may try to read the future./
當下，我們的世界正在發生著根本的變化。
我的研究和想法可能是來自于恐懼感，一種世界的亙古不變的無常變化慢慢的被感知和經歷（永久這一變化過程，這個'無常'是一個中國概念的恐懼的感覺得出，很清楚地由法國解釋哲學家弗朗索瓦·於連），也來自於關於人和動物間的緊密相連的複雜性。所以我用一種混合的材料去雕塑和繪畫。
這種混合的材料是紙漿 - 紙漿來自於最普通的日常的報紙，雜誌，它是一種符合我需要的條件又相當具有象徵性的材料。紙漿來自於從木料轉變成紙有轉換成類似石頭一樣外表的雕塑，由報紙，雜誌，日常使用的紙結合起來，得到混合和一個新的開始......它是一個意義，一個可能的重生的載體，從它們形成和變化的跡象中，我們可以嘗試讀取未來。