Noriyuki MURAKI 村木纪之--『地图 · 景』Mapscape系列作品收藏展 | 别处美术馆

日本艺术家Noriyuki MURAKI村木纪之自2017年签约别处画廊,在结束一些列于巴黎和卢森堡等地个展后开始从欧洲转战亚洲市场,2017年至今设工作室于台北,展览于台北,高雄,沈阳,东京和巴黎。本次画廊将展出收藏2011至2017年『地图 · 景』系列作品,是别处美术馆落地沈阳开馆至今首次完整展出全部村木纪之现存于中国大陆的『地图 · 景』系列作品。

Noriyuki MURAKI, a Japanese artist, signed a contract with Ailleurs Gallery in 2017. After finishing the solo exhibitions in Paris and Luxembourg, he began to move to Asian market from Europe. He has set up a studio in Taipei, exhibit in Taipei, Kaohsiung, Shenyang, Tokyo and Paris. This time, Ailleurs Gallery will exhibit the "Mapscape" series works of Noriyuki MURAKI from 2011 to 2017. It is the first time that Ailleurs Gallery fully exhibit all the current "Mapscape" series works of Noriyuki MURAKI in mainland China since we established Ailleurs Arts Museum in Shenyang.


Noriyuki MURAKI 村木纪之







他喜欢一个人骑小轮车上山下山,几年的时光里几乎走遍了法国弗朗什孔泰省所有的山川美景。用法国贝桑松高等美术学院院长徳维兹先生的话说,“谁说他(村木纪之)不像是个法国人呢,他的作品结合了东西方的精华,我更希望他是一位法国艺术家!” 2009年我与村木相识于这所法国高等美院,当时怎么也想不到我可以成为帮助他改变人生轨迹的人。


『地图 · 景』Map+Scape,村木纪之所画并非地图,而是日本人从小成长和赖以生存的岛屿与食物。系列作品的主视觉都是鱼/虾/蟹类海洋生物,细看构成主视觉形象的骨架和颜色似乎像是通过卫星俯瞰地球所呈现的岛屿/城市/道路,尤其像是夜晚灯火通明的城市与公路构成的生活网。所谓地图却并没有刻意指向哪个城市,灵感来源于日本岛的“海马”形状,岛屿与海岸线的边界线意味着生命,也构成了日本人对于生活的基本认知。出师于黑崎彰大师水印木版画专长的村木纪之把自从在日本学习时期的水印木版画技术和富有科技感的视觉构成经验用在『地图 · 景』系列作品的创作,并在留学法国接触更多当代艺术表达语言后延续和发展了这一系列的观念性和理论基础。2020年别处画廊按计划展出村木纪之2011至2017年『地图 · 景』系列作品,并已计划于2021年六月展出他2018年后作品。我们期待为签约艺术家村木先生寻找中国大陆地区潜在藏家,提供展期内预约洽谈和观展,展期后的长期收藏咨询。


2020年4月3日 沈阳


He likes to ride a BMX uphill alone, and has seenalmost all the scenery in France's Franche Comté in a few years. Mr. Devèze, the dean of Institut supérieur des beaux-arts de Besançon in France, said, "Who said he (Noriyuki MURAKI) is not like a French? His work combines the essence of the Eastern and the Western culture, and I hope he is a French Artist!" I met Noriyuki MURAKI in 2009 at this school. I never thought I could be the one who helped him change his life.

He graduated from Besançon in 2011 and went to Paris. I graduated in 2013 and transferred to Taipei for development two years later. In the fall of 2016, I went back to Paris for a vacation and visited his studio in Paris. Because he was young and energetic at the time, he created a lot of works from 2011 to 2016 and developed well. Because of his Japanese identity, he looked lonely but rare in Paris. Fortunately, he works with different galleries and participates in exhibitions almost every year.

Although the financial crisis in 2008 weakened the European economy, Noriyuki MURAKI , as a young artist who has just debuted, his excellent works and attractive prices naturally attracting many collectors, and also receiving some support from part of the most famous Japanese seniors in Europe. However, the in come from selling the works can not support his professional career in Paris. At the same time, it was difficult for him to adapt to different lifestyles, and our meeting became a turning point for Muraki to return to Asia. At the end of 2016, he came to Taipei alone and lived in the Taoyuan Longtan studio that I just renovated, and also used it as his studio for a long time. In one year, I held the first solo exhibition for him in Taoyuan called "Trajectory", and then a year later he was invited to Shenyang to participate in the opening ceremony of "Tracks-Noriyuki MURAKI & Lin Zhimin Exhibition". This transformation became a new starting point for Muraki's artistic career and ushered in explosive success in 2018. His works in the past ten years have been recognized by some important art institutions in Taipei, and all the works has been sold out at the 2018 "Art Revolution Taipei". In 2019, he was invited to exhibit at galleries from Kaohsiung and Tokyo. With the support of various partner galleries, the market price of his works has increased by 15% annually since 2017.

Muraki's paintings "Mapscape" are not maps, but islands and food that the Japanese grew up in and depend on. The main visuals of the series are all marine creatures such as fish, shrimp, crab. Looking closely at the skeleton and colors that constitute the main visual image, it seems like the islands, cities, roads presented by satellite overlooking the earth, especially like the brightly lit city at night Life network composed of highways. The so-called map does not point to a certain city. The inspiration comes from the "seahorse" shape of the Japanese island. The boundary between the island and the coastline means life, and it also constitutes the Japanese's basic understanding of life. Muraki was taught by Master Kurosaki's expertise in woodblock watermark, use the print techniques to rich the visual composition experience in the creation of "Mapscape". More contemporary art expresses language and continues to develop this series's conceptual and theoretical foundations.Ailleurs Gallery is now exhibiting Muraki's "Mapscape" series of works from 2011 to 2017, and plans to show Muraki's works created after 2018 in June 2021. We look forward to searching for potential collectors in mainland China, providing negotiations and visits during the exhibition period, and long-term collection consultation.

YANG Xiwen

3th April 2020 in Shenyang

『地图 · 景』系列作品预览

地图·景 系列 | Land —2015

Drawing Paper, Colored pencils, Colored pens
70 × 100cm(不含框)

地图·景 系列 | Land —2017

Drawing Paper, Colored pencils, Colored pens
70 × 100cm(不含框)

地图·景 系列 | Land —2017

Drawing Paper, Colored pencils, Colored pens
70 × 100cm(不含框)

地图·景 系列 | Land —2017

Drawing Paper, Colored pencils, Colored pens
50 × 70cm(不含框)



2019 群島協奏曲 - Islands Concerto・禮物Marie's Gift・Kaohsiung・Taiwan
    島趣 - Mapscape・得藝美術館 Get Art Museum・Taipei
2017 軌跡 - Trajectory・Gallery Art 50 Plus・Taoyuan・Taiwan
2016 NORIYUKI MURAKI・Cercle Munster・Luxembourg・Luxembourg  
2015 ÎLOTSRIUM・Centre Culturel du Safran・Amiens・France   
2012 VIBRIUM・Galerie YR・Paris 
2011 Biennale de Lyon "RÉSONANCE"・Alliance Française de Lyon・Lyon

2019 Art Revolution Taipei・Taipei World Trade Center・Taipei
2018 Art Revolution Taipei・Taipei World Trade Center・Taipei
2017 Jeunes Artistes émergents・Galerie Akié Arichi・Paris  
        軌跡 (Trajectory)・J ART Gallery of Sofitel Shenyang Lido・Shenyang・China
2016 Shenzen International Art Fair・Shenzhen・China
2015 Bête d'Expo!・Grande Rue et Galerie Omnibus・Besançon
        Triés sur Volet 2・Galerie Brun Léglise・Paris      
        Trié sur Volet 1・Galerie Brun Léglise・Paris  
        Tous les Printemps du monde・Gymnase du Fort Griffon・Besançon
2014 Collections de la Galerie・Galerie Brun Léglise・Paris 
        Temporary Items 2・Le 204・Paris 
        Temporary Items・Le 204・Paris 
2013 Petits et Grands Formats・Galerie Brun Léglise・Paris 
         Fragmentations / Sédimentations・Galerie Françoise Souchaud・Lyon 
         Mouvements silencieux・Bains Douches・Besançon
2012 Attention Fragile・Grigny・Rhône-Alpes・France
         INTER-SECTIONS・Institut Franco-Japonais de  Kansaï・Kyoto・Japan
2011 Botanique Art・École Régionale des Beaux-Arts de Besançon・Besançon

『地图 · 景』/『Mapscape』


村木纪之/Noriyuki MURAKI


杨习文/YANG Xiwen

执行策展/Executive Curator

于梓辛/YU Zixin


别处美术馆/Ailleurs Arts Museum

展厅空间 / Venue

别处画廊/Ailleurs Gallery

展期 \ Exhibition Period


展览门票 \ Ticket

30 RMB


(Free for children under 12, China military.

40% off discount for elderly over 65 and students with student ID)

别处美术馆此次为展览融入了“声音”这种意像,打开地域与形式的“边界”,邀请“声音”走进美术馆。声音中的绘画,声音中的情绪,声音中的声音…… 我们想让画面藉由声音传递出抽象心灵的感知。艺术表现形式殊途同归,归于对心灵跳动的捕捉和返璞归真。别处的声音意象,借现代声音技术,展现艺术于生活之中。

结合日本艺术家村木纪之『地图 · 景』系列作品收藏展,观者亦可在展期前两周在现场体验到STAX品牌的匠心魅力。




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64-8 Xiaoxi Road, Shenhe District, Shenyang City, Liaoning Province

(former Fengtian British American Tobacco Company)




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