『沈阳别处』—— 阿兰.弗兰克 & 李春锦 摄影作品展
沈阳这座东北地区的中心城市，作为“共和国的长子”在新中国成立70周年里发生了翻天覆地的变化。经历了经济制度、社会结构、文化生活等各方面的整体变革之后，很多跨越了近百年历史的工业遗存与现代社会相互碰撞融合，成就了沈阳工业独有的文化品质。阿兰是个真正的“局外人”，他以西方的视角自然地关注文化和环境的差异，从曾经想要避开出现在他作品中的那些人到越来越接近，喜欢他们的性格情感，镜头捕捉到街头拿着勺柄的老人，中国人的形象在他的认知中便多了“注重细节”这样的特征。而李春锦的作品却将“人”变成一种任意的符号，这个符号不再具有真实性与社会性。他用镜头探寻着自然与社会的关系在时空变化下是如何的怪诞且合理存在，强烈地想要跳脱出现世的情绪跃然纸上。而这些他塑造出来的静谧且永恒的瞬间似是不属于沈阳的“别处”一样。有一栋老建筑我们也赋予了它“别处”的涵义，它见证了新中国的成长，而今成为承载艺术使命的“理想国”。两位摄影师 阿兰.弗兰克（Alain.Frank.L）& 李春锦 分别捕捉到“别处”与时间发生关系的静态高潮，是在当下，是在沈阳。
Central Northeastern Shenyang is considered “the eldest son of the Republic” in the 70th anniversary of the founding of new China, and it is clear that great changes have taken place. The expanse of the experienced economic system, social structure, and cultural life, with regards to the overall change of each respect, has spread rapidly across the hundreds of years of history of industrial heritage and the modern social mutual fusion. This adds to the history of Shenyang’s industrial unique cultural qualities.
Alain is considered a genuine "outsider" in the perspective of western natural attention to differences in culture and environment. From avoiding people, but always getting emotionally attached, he loves different personalities and is empathetic to emotion, while keeping a distance before coming close to anyone. His camera once captured an old man holding a spoon handle on the street. The image of Chinese people in his perception of the "attention to detail" is a feature he is often remembered by.
However, Li Chunjin's works turn "human" into an arbitrary symbol, which no longer has authenticity and social acceptance. He explores how the relationship between nature and society is bizarre and reasonable under the change of space and time with his camera, and his strong desire to jump out of the world comes to the surface. These quiet and eternal moments he created seem to belong to "other places" in Shenyang.
There was an old building that we also give the meaning of "elsewhere", that has witnessed the growth of new China and now continues to carry the idea of "Utopia" into the mission of art. Alain.Frank. L and Li Chunjin, respectively, capture the static climax of "somewhere else" in relation to time, in the present day of Shenyang.
杨习文 Yang Xiwen
田伟竹 Tian Weizhu